Actors

Tasks Include:
- Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed.
- Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role.
- Learn about characters in scripts and their relationships to each other to develop role interpretations.
- Collaborate with other actors as part of an ensemble.
- Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures.
- Attend auditions and casting calls to audition for roles.
- Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences.
- Work with other crew members responsible for lighting, costumes, make-up, and props.
- Sing or dance during dramatic or comedic performances.
- Read from scripts or books to narrate action or to inform or entertain audiences, utilizing few or no stage props.
more »
The data sources for the information displayed here include: O*NET™ 16.0; US Department of Labor (BLS); Virginia Workforce Connection.
Projections Quick View:
Virginia: 0.0%
National: + 4.1%
Education
Less than a High School Diploma
Job Zone:
Two: Some Preparation Needed
Income Range:
No Data
Median Earnings:
National
No Data
State
No Data
Regional
Actors
Description
Career Cluster: | Arts, Audio/Video Technology & Communications ![]() |
Play parts in stage, television, radio, video, motion picture productions, or other settings for entertainment, information, or instruction. Interpret serious or comic role by speech, gesture, and body movement to entertain or inform audience. May dance and sing.
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Education
Required Level of Education
- Less than a High School Diploma = 51.83%
- Some College Courses = 27.86%
- Bachelor's Degree = 9.41%
- High School Diploma (or GED or High School Equivalence Certificate) = 8.36%
- First Professional Degree - awarded for completion of a program that: requires at least 2 years of college work before entrance into the program, includes a total of at least 6 academic years of work to complete, and provides all remaining academic requirements to begin practice in a profession = 1.64%
- Post-Baccalaureate Certificate - awarded for completion of an organized program of study; designed for people who have completed a Baccalaureate degree, but do not meet the requirements of academic degrees carrying the title of Master = 0.90%
Related Work Experience
- None = 44.51%
- Over 1 year, up to and including 2 years = 20.84%
- Over 2 years, up to and including 4 years = 16.69%
- Over 4 years, up to and including 6 years = 5.69%
- Over 1 month, up to and including 3 months = 4.24%
- Over 6 months, up to and including 1 year = 4.05%
- Over 10 years = 3.98%
On-Site or In-Plant Training
- None = 57.48%
- Over 3 months, up to and including 6 months = 14.43%
- Over 1 year, up to and including 2 years = 8.89%
- Up to and including 1 month = 7.61%
- Over 2 years, up to and including 4 years = 6.79%
- Over 1 month, up to and including 3 months = 4.80%
On-the-Job Training
- Anything beyond short demonstration, up to and including 1 month = 64.89%
- Over 1 month, up to and including 3 months = 10.77%
- Over 1 year, up to and including 2 years = 8.15%
- Over 3 months, up to and including 6 months = 5.38%
- Over 6 months, up to and including 1 year = 4.19%
- None or short demonstration = 3.31%
- Over 2 years, up to and including 4 years = 3.30%
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Tasks
Core Tasks Include:
- Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed.
- Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role.
- Learn about characters in scripts and their relationships to each other to develop role interpretations.
- Collaborate with other actors as part of an ensemble.
- Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures.
- Attend auditions and casting calls to audition for roles.
- Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences.
- Work with other crew members responsible for lighting, costumes, make-up, and props.
- Sing or dance during dramatic or comedic performances.
- Read from scripts or books to narrate action or to inform or entertain audiences, utilizing few or no stage props.
- Promote productions using means such as interviews about plays or movies.
Supplemental Tasks Include:
- Write original or adapted material for dramas, comedies, puppet shows, narration, or other performances.
- Prepare and perform action stunts for motion picture, television, or stage productions.
- Tell jokes, perform comic dances, songs and skits, impersonate mannerisms and voices of others, contort face, and use other devices to amuse audiences.
- Introduce performances and performers to stimulate excitement and coordinate smooth transition of acts during events.
- Manipulate strings, wires, rods, or fingers to animate puppets or dummies in synchronization with talking, singing, or recorded programs.
- Dress in comical clown costumes and makeup, and perform comedy routines to entertain audiences.
- Perform original and stock tricks of illusion to entertain and mystify audiences, occasionally including audience members as participants.
- Construct puppets and ventriloquist dummies, and sew accessory clothing, using hand tools and machines.
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Special Requirements
No formal license or certification is needed to become an actor or actress, however listed below is a list of favorable requirements that may make entry into this occupation more effective.
- Begin training at an early age with private lessons or participation in school or community productions.
- Study drama at colleges and universities or train at professional acting schools that are concentrated in the New York and Los Angeles areas.
- Attending a first-rate acting school increases people’s chances of getting a job--in part by giving them connections in the industry.
- The Screen Actors Guild recommends that aspiring actors have enough savings to live for two years without any income while trying to break into the acting business.
- Also, because it can be so difficult, it is very important to have a "day job", which you do to keep your bills paid while auditioning for acting jobs.
- Most actors begin by going to auditions and taking small parts in order to gain experience and make professional contacts. Often they will need to work as extras or walk-ons before they get more substantial roles.
- Getting good parts often depends on contacts as much as it does on talent and earlier success. Many actors use agents to help them find work and spend significant amounts of time promoting their work in order to attract the attention of directors and producers.
For more information contact:
The Screen Actors Guild:
Hollywood
5757 Wilshire Blvd.
Los Angeles, CA 90036-3600
(323) 954-1600 Main Switchboard
(323) 549-6648 For Deaf Performers Only: TTY/TTD
1-800-SAG-0767 for SAG Members outside Los Angeles
New York
360 Madison Avenue 12th Floor
New York, New York 10017
(212) 944-1030 Main Switchboard
(212) 944-6715 For Deaf Performers Only: TTY/TTD
http://www.sag.org/
Required Fees:
N/A
The data sources for the information displayed here include: Virginia Career VIEW Research.
Actors
Internships
Entertainment Internships
302 East 92nd Street 3F
New York, NY 10128
http://www.entertainmentinternships.net/
University of Dreams
Operations Manager
455 Los Gatos Blvd.
Los Gatos, CA 95032
Phone: 408.358.9310
http://www.UofDreams.com
The University of Dreams team has been running summer programs for college students since 1997. We started out under the name ‘Business Camp’ and originally conducted our program at a five-star resort in Keystone, Colorado. After several successful summers in the mountains, we decided to move our program to major U.S. cities so that we could incorporate internships into the program. In 2001 we hosted our first such program at Santa Clara University under our new nameâ€â€University of Dreams. We welcomed 73 students from 38 top universities. In 2002, Stanford University invited us to move our program to their campus, and we jumped at the opportunity. Since then, we have added programs in New York, Los Angeles, Chicago and London, and have plans to add many more in some of the best cities in the world.
The data sources for the information displayed here include: Virginia Career VIEW Research.
Actors
Additional Resources
For general information about theater arts and a list of accredited college-level programs, contact:
National Association of Schools of Theater
11250 Roger Bacon Dr.
Suite 21
Reston, VA 20190
http://nast.arts-accredit.org/
For general information on actors, producers, and directors, contact:
Actors Equity Association
165 West 46th St.
New York, NY 10036
http://www.actorsequity.org
Screen Actors Guild
5757 Wilshire Blvd.
Los Angeles, CA 90036-3600
http://www.sag.org
American Federation of Television and Radio Artists-Screen Actors Guild
4340 East-West Hwy.
Suite 204
Bethesda, MD 20814-4411
http://www.aftra.org
http://www.sag.org
The Actors Center
601 South Clark Street
Arlington ,VA 22202
703-413-3270
http://www.actorscenter.org
The data sources for the information displayed here include: Virginia Career VIEW Research.
Actors
Knowledge
% | Subject | Description |
---|---|---|
88.25 | Fine Arts | Knowledge of the theory and techniques required to compose, produce, and perform works of music, dance, visual arts, drama, and sculpture. |
87.75 | English Language | Knowledge of the structure and content of the English language including the meaning and spelling of words, rules of composition, and grammar. |
65.25 | Psychology | Knowledge of human behavior and performance; individual differences in ability, personality, and interests; learning and motivation; psychological research methods; and the assessment and treatment of behavioral and affective disorders. |
58.00 | Communications and Media | Knowledge of media production, communication, and dissemination techniques and methods. This includes alternative ways to inform and entertain via written, oral, and visual media. |
50.75 | Sociology and Anthropology | Knowledge of group behavior and dynamics, societal trends and influences, human migrations, ethnicity, cultures and their history and origins. |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Skills
% | Subject | Description |
---|---|---|
78.00 | Speaking | Talking to others to convey information effectively. |
72.00 | Reading Comprehension | Understanding written sentences and paragraphs in work related documents. |
72.00 | Social Perceptiveness | Being aware of others' reactions and understanding why they react as they do. |
72.00 | Active Listening | Giving full attention to what other people are saying, taking time to understand the points being made, asking questions as appropriate, and not interrupting at inappropriate times. |
59.50 | Critical Thinking | Using logic and reasoning to identify the strengths and weaknesses of alternative solutions, conclusions or approaches to problems. |
59.50 | Monitoring | Monitoring/Assessing performance of yourself, other individuals, or organizations to make improvements or take corrective action. |
56.25 | Coordination | Adjusting actions in relation to others' actions. |
56.25 | Judgment and Decision Making | Considering the relative costs and benefits of potential actions to choose the most appropriate one. |
53.00 | Time Management | Managing one's own time and the time of others. |
50.00 | Writing | Communicating effectively in writing as appropriate for the needs of the audience. |
50.00 | Active Learning | Understanding the implications of new information for both current and future problem-solving and decision-making. |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Abilities
% | Subject | Description |
---|---|---|
84.50 | Oral Expression | The ability to communicate information and ideas in speaking so others will understand. |
81.25 | Speech Clarity | The ability to speak clearly so others can understand you. |
78.25 | Oral Comprehension | The ability to listen to and understand information and ideas presented through spoken words and sentences. |
72.00 | Memorization | The ability to remember information such as words, numbers, pictures, and procedures. |
68.75 | Near Vision | The ability to see details at close range (within a few feet of the observer). |
68.75 | Originality | The ability to come up with unusual or clever ideas about a given topic or situation, or to develop creative ways to solve a problem. |
68.75 | Written Comprehension | The ability to read and understand information and ideas presented in writing. |
59.50 | Speech Recognition | The ability to identify and understand the speech of another person. |
56.25 | Fluency of Ideas | The ability to come up with a number of ideas about a topic (the number of ideas is important, not their quality, correctness, or creativity). |
56.25 | Information Ordering | The ability to arrange things or actions in a certain order or pattern according to a specific rule or set of rules (e.g., patterns of numbers, letters, words, pictures, mathematical operations). |
53.25 | Written Expression | The ability to communicate information and ideas in writing so others will understand. |
50.00 | Category Flexibility | The ability to generate or use different sets of rules for combining or grouping things in different ways. |
50.00 | Problem Sensitivity | The ability to tell when something is wrong or is likely to go wrong. It does not involve solving the problem, only recognizing there is a problem. |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Work Activities
% | Subject | Description |
---|---|---|
95.25 | Thinking Creatively | Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions. |
88.00 | Establishing and Maintaining Interpersonal Relationships | Developing constructive and cooperative working relationships with others, and maintaining them over time. |
86.50 | Performing for or Working Directly with the Public | Performing for people or dealing directly with the public. This includes serving customers in restaurants and stores, and receiving clients or guests. |
75.75 | Getting Information | Observing, receiving, and otherwise obtaining information from all relevant sources. |
71.25 | Making Decisions and Solving Problems | Analyzing information and evaluating results to choose the best solution and solve problems. |
69.00 | Developing Objectives and Strategies | Establishing long-range objectives and specifying the strategies and actions to achieve them. |
67.00 | Judging the Qualities of Things, Services, or People | Assessing the value, importance, or quality of things or people. |
66.75 | Organizing, Planning, and Prioritizing Work | Developing specific goals and plans to prioritize, organize, and accomplish your work. |
64.50 | Communicating with Supervisors, Peers, or Subordinates | Providing information to supervisors, co-workers, and subordinates by telephone, in written form, e-mail, or in person. |
62.00 | Interpreting the Meaning of Information for Others | Translating or explaining what information means and how it can be used. |
61.00 | Performing General Physical Activities | Performing physical activities that require considerable use of your arms and legs and moving your whole body, such as climbing, lifting, balancing, walking, stooping, and handling of materials. |
59.50 | Scheduling Work and Activities | Scheduling events, programs, and activities, as well as the work of others. |
59.25 | Identifying Objects, Actions, and Events | Identifying information by categorizing, estimating, recognizing differences or similarities, and detecting changes in circumstances or events. |
57.00 | Developing and Building Teams | Encouraging and building mutual trust, respect, and cooperation among team members. |
54.75 | Communicating with Persons Outside Organization | Communicating with people outside the organization, representing the organization to customers, the public, government, and other external sources. This information can be exchanged in person, in writing, or by telephone or e-mail. |
52.00 | Coordinating the Work and Activities of Others | Getting members of a group to work together to accomplish tasks. |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Work Styles
% | Subject | Description |
---|---|---|
95.25 | Dependability | Job requires being reliable, responsible, and dependable, and fulfilling obligations. |
94.25 | Adaptability/Flexibility | Job requires being open to change (positive or negative) and to considerable variety in the workplace. |
92.00 | Cooperation | Job requires being pleasant with others on the job and displaying a good-natured, cooperative attitude. |
91.50 | Attention to Detail | Job requires being careful about detail and thorough in completing work tasks. |
90.75 | Persistence | Job requires persistence in the face of obstacles. |
88.75 | Achievement/Effort | Job requires establishing and maintaining personally challenging achievement goals and exerting effort toward mastering tasks. |
88.00 | Stress Tolerance | Job requires accepting criticism and dealing calmly and effectively with high stress situations. |
87.50 | Initiative | Job requires a willingness to take on responsibilities and challenges. |
86.75 | Social Orientation | Job requires preferring to work with others rather than alone, and being personally connected with others on the job. |
81.50 | Innovation | Job requires creativity and alternative thinking to develop new ideas for and answers to work-related problems. |
79.50 | Concern for Others | Job requires being sensitive to others' needs and feelings and being understanding and helpful on the job. |
79.00 | Self Control | Job requires maintaining composure, keeping emotions in check, controlling anger, and avoiding aggressive behavior, even in very difficult situations. |
77.00 | Independence | Job requires developing one's own ways of doing things, guiding oneself with little or no supervision, and depending on oneself to get things done. |
72.50 | Integrity | Job requires being honest and ethical. |
70.25 | Analytical Thinking | Job requires analyzing information and using logic to address work-related issues and problems. |
59.25 | Leadership | Job requires a willingness to lead, take charge, and offer opinions and direction. |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Work Values
% | Subject | Description |
---|---|---|
83.33 | Relationships | Occupations that satisfy this work value allow employees to provide service to others and work with co-workers in a friendly non-competitive environment. Corresponding needs are Co-workers, Moral Values and Social Service. |
77.83 | Achievement | Occupations that satisfy this work value are results oriented and allow employees to use their strongest abilities, giving them a feeling of accomplishment. Corresponding needs are Ability Utilization and Achievement. |
61.17 | Recognition | Occupations that satisfy this work value offer advancement, potential for leadership, and are often considered prestigious. Corresponding needs are Advancement, Authority, Recognition and Social Status. |
61.17 | Independence | Occupations that satisfy this work value allow employees to work on their own and make decisions. Corresponding needs are Creativity, Responsibility and Autonomy. |
52.83 | Working Conditions | Occupations that satisfy this work value offer job security and good working conditions. Corresponding needs are Activity, Compensation, Independence, Security, Variety and Working Conditions. |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Work Context
% | Subject | Description |
---|---|---|
92.60 | Work With Work Group or Team | How important is it to work with others in a group or team in this job? |
92.20 | Contact With Others | How much does this job require the worker to be in contact with others (face-to-face, by telephone, or otherwise) in order to perform it? |
92.00 | Physical Proximity | To what extent does this job require the worker to perform job tasks in close physical proximity to other people? |
86.60 | Face-to-Face Discussions | How often do you have to have face-to-face discussions with individuals or teams in this job? |
85.20 | Public Speaking | How often do you have to perform public speaking in this job? |
84.80 | Indoors, Environmentally Controlled | How often does this job require working indoors in environmentally controlled conditions? |
83.40 | Level of Competition | To what extent does this job require the worker to compete or to be aware of competitive pressures? |
78.20 | Time Pressure | How often does this job require the worker to meet strict deadlines? |
77.00 | Deal With External Customers | How important is it to work with external customers or the public in this job? |
71.40 | Importance of Being Exact or Accurate | How important is being very exact or highly accurate in performing this job? |
70.20 | Freedom to Make Decisions | How much decision making freedom, without supervision, does the job offer? |
69.80 | Impact of Decisions on Co-workers or Company Results | How do the decisions an employee makes impact the results of co-workers, clients or the company? |
69.60 | Frequency of Decision Making | How frequently is the worker required to make decisions that affect other people, the financial resources, and/or the image and reputation of the organization? |
69.60 | Structured versus Unstructured Work | To what extent is this job structured for the worker, rather than allowing the worker to determine tasks, priorities, and goals? |
67.00 | Telephone | How often do you have telephone conversations in this job? |
66.40 | Spend Time Standing | How much does this job require standing? |
62.80 | Electronic Mail | How often do you use electronic mail in this job? |
62.40 | Coordinate or Lead Others | How important is it to coordinate or lead others in accomplishing work activities in this job? |
58.60 | Extremely Bright or Inadequate Lighting | How often does this job require working in extremely bright or inadequate lighting conditions? |
53.20 | Letters and Memos | How often does the job require written letters and memos? |
51.40 | Responsibility for Outcomes and Results | How responsible is the worker for work outcomes and results of other workers? |
50.20 | Frequency of Conflict Situations | How often are there conflict situations the employee has to face in this job? |
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Job Zone Two: Some Preparation Needed
-
Overall Experience
- Some previous work-related skill, knowledge, or experience is usually needed. For example, a teller would benefit from experience working directly with the public.
-
Job Training
- Employees in these occupations need anywhere from a few months to one year of working with experienced employees. A recognized apprenticeship program may be associated with these occupations.
-
Examples
- These occupations often involve using your knowledge and skills to help others. Examples include sheet metal workers, forest fire fighters, customer service representatives, physical therapist aides, salespersons (retail), and tellers.
-
Education
- These occupations usually require a high school diploma.
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Earnings Benefits*
Region | Entry Level | Median | Experienced |
---|---|---|---|
United States | No Data | No Data | No Data |
Virginia | No Data | No Data | No Data |
Region | Entry Level | Median | Experienced |
Bay Consortium | No Data | No Data | No Data |
Capital Region Workforce Partnership | No Data | No Data | No Data |
Central VA/Region2000 | No Data | No Data | No Data |
Crater Area | No Data | No Data | No Data |
Greater Peninsula | No Data | No Data | No Data |
Hampton Roads | No Data | No Data | No Data |
New River/Mt. Rogers | No Data | No Data | No Data |
Northern Virginia and Alexandria/Arlington | No Data | No Data | No Data |
Piedmont Workforce | No Data | No Data | No Data |
Shenandoah Valley | No Data | No Data | No Data |
South Central | No Data | No Data | No Data |
Southwestern Virginia | No Data | No Data | No Data |
West Piedmont | No Data | No Data | No Data |
Western Virginia | No Data | No Data | No Data |
* Earnings Calculations:
Regional Earnings:
Entry = Annual mean of the lower 1/3 wage distribution;
Experienced = Annual mean of the upper 2/3 wage distribution.
National and State Earnings:
Entry = Annual 10th percentile wage;
Experienced = Annual 75th percentile wage.
The data sources for the information displayed here include: US Department of Labor (BLS); Virginia Workforce Connection.
Actors
Employment Projections
National | 2012 | 2022 | % Change |
---|---|---|---|
United States | 79,800 | 83,000 | + 4.1% |
State | 2012 | 2022 | % Change |
Virginia | 0 | 0 | + 0.0% |
Region | 2010 | 2020 | % Change |
Bay Consortium | No Data | No Data | No Data |
Capital Region Workforce Partnership | No Data | No Data | No Data |
Central VA/Region2000 | No Data | No Data | No Data |
Crater Area | No Data | No Data | No Data |
Greater Peninsula | 99 | 102 | + 3.0% |
Hampton Roads | No Data | No Data | No Data |
New River/Mt. Rogers | No Data | No Data | No Data |
Northern Virginia and Alexandria/Arlington | No Data | No Data | No Data |
Piedmont Workforce | No Data | No Data | No Data |
Shenandoah Valley | No Data | No Data | No Data |
South Central | No Data | No Data | No Data |
Southwestern Virginia | No Data | No Data | No Data |
West Piedmont | No Data | No Data | No Data |
Western Virginia | No Data | No Data | No Data |
The data sources for the information displayed here include: US Department of Labor (BLS); Virginia Workforce Connection.
Actors
Related Occupations
Related Occupations
- Fine Artists, Including Painters, Sculptors, and Illustrators
- Floral Designers
- Talent Directors
- Music Composers and Arrangers
- Singers
- Models
Careers in Performing Arts Pathway:
- Art, Drama, and Music Teachers, Postsecondary
- Actors
- Producers and Directors
- Producers
- Directors- Stage, Motion Pictures, Television, and Radio
- Program Directors
- Talent Directors
- Technical Directors/Managers
- Dancers
- Choreographers
- Music Directors and Composers
- Music Directors
- Music Composers and Arrangers
- Musicians and Singers
- Singers
- Musicians, Instrumental
- Entertainers and Performers, Sports and Related Workers, All Other
- Public Address System and Other Announcers
- Writers and Authors
- Poets, Lyricists and Creative Writers
- Camera Operators, Television, Video, and Motion Picture
- Film and Video Editors
- Makeup Artists, Theatrical and Performance
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
View Videos
The following videos are available for this occupation:
- Arts, Audio/Video Technology and Communications (7.85 Mb)
- Actors (5.01 Mb)
Macromedia Flash is required for viewing the videos. If you do not have the Flash plugin, it is freely available for download.
The data sources for the information displayed here include: New York State Department of Labor; New Jersey Department of Labor; California Occupational Information Coordinating Committee.
Actors
Military Training
There are no related military occupations for this occupation.
The data sources for the information displayed here include: Defense Manpower Data Center.
Actors
Proficiency Ratings
These proficiencies are scored on a scale from 1 to 5 with 1 being not
important to the job and 5 being extremely important to the job.
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Titles
- Acrobat
- Acting Teacher
- Actor
- Actor Understudy
- Actress
- Aerialist
- Amusement Park Entertainer
- Aquatic Performer
- Artistic Director
- Circus Clown
- Clown
- Comedian
- Comic
- Community Theater Actor
- Diver
- Double
- Dramatic Reader
- Elocutionist
- Ensemble Director
- Extra
- Illusionist
- Impersonator
- Impresario
- Juggler
- Magician
- Mime
- Minstrel
- Monologist
- Motion Picture Actor
- Movie Actor
- Movie Star
- Movie Stunt Performer
- Narrator
- Puppeteer
- Ring Conductor
- Second
- Show Girl
- Soubrette
- Stand Up Comedian
- Stand-In
- Stunt Double
- Stunt Driver
- Stunt Performer
- Stunt Person
- Stunt Woman
- Television Actor
- Theatre Ensemble Member
- Theatrical Performer
- Theatrical Trouper
- Thrill Performer
- Understudy
- Vaudeville Actor
- Ventriloquist
- Voice Actor
- Voice-Over Artist
- Wire Walker
The data sources for the information displayed here include: O*NET™ 16.0.
Actors
Related Schools
- Averett University
- Bluefield College
- College of William and Mary
- Eastern Mennonite University
- Emory & Henry College
- Ferrum College
- George Mason University
- Hampton University
- Hollins University
- James Madison University
- Liberty University
- Lynchburg College
- Mary Baldwin College
- Old Dominion University
- Radford University
- Randolph College
- Randolph-Macon College
- Regent University
- Roanoke College
- Shenandoah University
- Southern Virginia University
- Sweet Briar College
- University of Richmond
- University of Virginia-Main Campus
- Virginia Commonwealth University
- Virginia Intermont College
- Virginia Polytechnic Institute and State University
- Virginia Wesleyan College
- Washington and Lee University
The data sources for the information displayed here include: O*NET™ 16.0.